The Grieving of The Mother by Gwendolyn Brooks :: Essay on Gwendolyn Brooks

The Mother, by Gwendolyn Brooks, is close to a mother who has experienced a number of abortions and now has remorse. You preserve feel the remorse she is going through when reading the poem. She is regretful, yet explains that she had no other choice. It is a heartfelt poem where she talks bout how she volition not be able to do certain things for the children that she aborted. This poem whitethorn be a reflection of what many other women are dealings with.   The first stanza starts off with Abortions allow not let you forget, which sounds like the muliebrity is talking in general terms. She is talking closely how future experiences will neer take place. Things like You will never roll up up the sucking-thumb or scuttle off the ghosts that come, are some of the many that will not be done. In a way, the women being told this are reminded of the suffering they are going through.   In the second stanza, the woman is talking about her pain and loss. In I have heard in the voices of the wind the voices of my dim killed children, she is haunted by her own childrens faint cries that she hears in her mind. She consequently makes the transition from telling the reader to explaining to her children wherefore she did what she did. It feels as though she cant confine her emotions and finally breaks down. She forgets about the reader and focuses on her children. She is asking for some sense when she says, Believe that in my deliberateness I was not deliberate. . . . Though why should I whine, she asks, Whine that the crime was other than mine.   She feels that she did what she had to do. She probably couldnt handle having kids at the time because of her situation, whatever it was, so she had an abortion. She probably didnt think it was a crime, only when society has made her believe it is and she feels guilty. She tries to brush it off when she says, Since you are dead, unless then admonishes herself by euphemizing the meaning by saying, or ra ther, or instead, you were never made.   In the third stanza, she picks up where she left in the second stanza, solely this time she tries to figure out what she did.